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    PracticeAQA GCSEAQA GCSE English Literature Paper 1Question 03
    Hard34 marksExtended Response
    Shakespeare and the 19th-Century NovelThe TempestShakespeareProsperoPower

    AQA GCSE · Question 03 · Shakespeare and the 19th-Century Novel

    SOURCE TEXT:
    Read the following extract from Act 1 Scene 2 of The Tempest and then answer the question that follows.

    At this point in the play, Ariel has completed various tasks for Prospero and there is now some disagreement about Ariel being given more work to do.

    PROSPERO
    Ariel, thy charge
    Exactly is performed; but there's more work.
    What is the time o'th'day?
    ARIEL
    Past the mid-season.
    PROSPERO At least two glasses. The time 'twixt six and now
    Must by us both be spent most preciously.
    ARIEL Is there more toil? Since thou dost give me pains,
    Let me remember thee what thou hast promised,
    Which is not yet performed me.
    PROSPERO
    How now? Moody?
    What is't thou canst demand?
    ARIEL
    My liberty.
    PROSPERO Before the time be out? No more.
    ARIEL
    I prithee,
    Remember I have done thee worthy service,
    Told thee no lies, made no mistakings, served
    Without or grudge or grumblings. Thou didst promise
    To bate me a full year.
    PROSPERO
    Dost thou forget
    From what a torment I did free thee?
    ARIEL
    No.
    PROSPERO Thou dost! And think'st it much to tread the ooze
    Of the salt deep,
    To run upon the sharp wind of the north,
    To do me business in the veins o'th'earth
    When it is baked with frost.
    ARIEL
    I do not, sir.
    PROSPERO Thou liest, malignant thing. Hast thou forgot
    The foul witch Sycorax, who with age and envy
    Was grown into a hoop? Hast thou forgot her?
    ARIEL No, sir.
    PROSPERO Thou hast. Where was she born? Speak. Tell me.

    QUESTION:
    Starting with this conversation, explore how far Shakespeare presents Prospero as a good master in The Tempest.

    Write about:
    • how far Shakespeare presents Prospero as a good master in this conversation
    • how far Shakespeare presents Prospero as a good master in the play as a whole.

    How to approach this question

    1. Analyse the extract, focusing on the power dynamic between Prospero and Ariel. Note Prospero's commanding language and Ariel's plea for 'liberty'. 2. Formulate an argument about the complexity of Prospero's role as a master. Avoid a simple 'yes' or 'no' answer. 3. Structure your essay to explore different aspects of his mastery. Dedicate paragraphs to his relationship with Ariel, his relationship with Caliban, and his control over Ferdinand and the other nobles. 4. Consider the context of colonialism and power, which are key themes in the play. 5. Discuss Prospero's development, particularly his decision to give up his magic and forgive his enemies at the end. 6. Conclude with a balanced judgement on whether he can be considered a 'good master'.

    Full Answer

    A strong answer will argue that Prospero's status as a 'good master' is complex and ambiguous. In the extract, he is demanding and harsh towards Ariel, using emotional blackmail ('Dost thou forget from what a torment I did free thee?') and insults ('malignant thing') to enforce his authority, which suggests he is not a good master. However, the answer should also explore the wider context. Prospero's relationship with Ariel is contrasted with his treatment of Caliban, whom he enslaves and abuses. It can be argued that Prospero's actions are driven by a desire for justice and the restoration of order. By the end of the play, he frees Ariel and shows forgiveness to his enemies, suggesting a transformation. A nuanced response will conclude that while he is often tyrannical, his ultimate goals and final acts of mercy complicate a simple judgement of him as either 'good' or 'bad'.
    This question requires an evaluation of Prospero's character, focusing on the theme of power and control. You need to analyse his relationships with other characters, particularly his servants Ariel and Caliban, to determine whether his use of power is justified. The question invites you to consider the ambiguity of his character and the colonialist undertones of the play.

    Common mistakes

    A common mistake is to present a one-sided argument, either condemning Prospero as a tyrant or praising him as a benevolent ruler. The best answers will explore the shades of grey in his character. Another pitfall is forgetting to discuss his relationship with Caliban, which provides a crucial contrast to his relationship with Ariel.
    Question 02All questionsQuestion 04

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